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September 24 2019

mr-absentia

How the Nazis took control of Hollywood

August 1, 2013

«During the 1930’s golden age of Hollywood, executives throughout the movie industry slowly went from being influenced by Nazis in Germany to being totally under their control, according to a controversial new book.

In an excerpt obtained by the Hollywood Reporter from the upcoming book “The Collaboration: Hollywood’s Pact with Hitler” written by Ben Urwand (Harvard University Press, on sale Sept. 9), the author reveals shocking details about the close “collaboration” between Hollywood and Nazi officials.»

October 06 2018

mr-absentia

@nudin’s reaction to @simonsayer

It's not russian but British and is wasn't 8 minutes long but 12, but 4 minutes went lost. Wikipedia contains the full film: https://en.wikipedia.org/wiki/Alice_in_Wonderland_(1903_film)
Reposted fromNudin Nudin

August 04 2018

mr-absentia
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‘LOVING VINCENT,’ an Animated Film Featuring 12 Oil Paintings per Second by Over 100 Painters (via World Ethnic & Cultural Beauties)

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July 17 2018

mr-absentia

i12bent: Chelsea Girls, film by Andy Warhol and Paul Morrissey, 1966 - poster by Alan Aldridge… Andy said to Alan, ‘I wish the movie was as good as the poster’

mr-absentia
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Himiko (1974) director Masahiro Shinoda (via reckon.tumblr.com)

July 03 2018

mr-absentia

i12bent: Eva Marie Saint [born July 4, 1924] in a scene from the film Exodus - on location in Israel, 1960

Tags: Film Still Israel

June 29 2018

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moment-japan: Throne of Blood, 1957

dir. by Akira Kurosawa

Reposted fromjohnstaedler johnstaedler

June 08 2018

mr-absentia

June 05 2018

mr-absentia
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The Floral Art of Studio Ghibli (via iranian-diaspora.tumblr.com)

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May 26 2018

mr-absentia
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Kon Ichikawa The Hole, 1957

Reposted fromlontano lontano viastrzepy strzepy
mr-absentia
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Salma Hayek - Ask the Dust (via World Ethnic & Cultural Beauties)

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November 17 2017

mr-absentia
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The Prophet’s last sermon - The Message, 1976 (via bintalghazi.tumblr.com)

June 26 2017

mr-absentia

May 30 2017

mr-absentia

March 03 2017

mr-absentia
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from nprfreshair.tumblr.com (via iran-daily):

The Iranian film The Salesman is one of the five nominees for this year’s foreign-language Academy award. It’s written and directed by Asghar Farhadi, who won the Oscar for his 2011 film, A Separation, and centers on a theater company presenting Death of a Salesman. Critic David Edelstein says:

“A woman is brutally assaulted in the early part of Asghar Farhadi’s gripping Iranian drama The Salesman. The woman, Rana, is washing up in the bathroom of her new apartment in an unfamiliar part of Tehran, just home from acting in Arthur Miller’s Death of a Salesman, where she plays Willy Loman’s wife. She hears the buzzer from downstairs and thinks it’s her husband, Emad, who plays Willy, so she unlocks the door and returns to what she was doing. Later, when Emad does get home, he sees blood everywhere. He finds Rana in the hospital, where the wounds on her face are being stitched. She won’t talk about what happened, not then, not a few days later. The nature of the assault, a description of the assailant, the motive—it’s a blank to be filled by Emad’s churning suspicions and fears.

That blank is central to many of Farhadi’s films. His Oscar-winning A Separation turns on a woman’s unseen fall in a staircase: Not knowing what happened makes us consider the destructive social forces that helped put that woman on that staircase at that time. In my favorite movie of Farhadi’s, About Elly, a young female teacher disappears while visiting colleagues at their beach house. As they learn more about their absent guest, the focus subtly shifts to the trauma of her life — and by implication the lives of many working single women in modern Iran. As much as whodunits, Farhadi makes whatdunits and whydunits.”

mr-absentia
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Anousheh Ansari accepts the 2017 Academy Award for Best Foreign Film, ‘The Salesman’ on behalf of Asghar Farhadi (via iran-daily.tumblr.com)

mr-absentia
Representing Iranian filmmaker Asghar Farhadi at the 89th Academy Awards

She and Firouz Naderi represented Iranian filmmaker Asghar Farhadi at the 89th Academy Awards for his film's winning in the Best Foreign Language Film category. Because of Farhadi's absence due to his opposition to President Trump's immigration ban applying to seven Muslim countries including Iran, he selected Firouz Naderi and Anoushe Ansari as his representatives at the Oscars, as both of them are successful Iranian-Americans who emigrated to the U.S.A. On February 26, 2017 they accepted the Oscar for Best Foreign Language Film for the movie The Salesman.
— en.wikipedia.org: Anousheh Ansari

February 17 2017

mr-absentia

くもとちゅうりっぷ kumo to tulip, short animated film, 1943.

watch on youtube.com [lang: ja]

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June 29 2015

mr-absentia
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Drunken Angel ‘酔いどれ天使’ 1948 Directed by Akira Kurosawa (via PERSIAN QUEEN)

Reposted byJessSilente JessSilente

May 22 2015

mr-absentia

The Wind Will Carry Us - dir. Abbas Kiarostami, 1999 (via beautyofiran.tumblr.com)

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